What makes each of us irreducibly ourselves.

We are built from the same matter, the same biological systems, the same fundamental conditions, and yet every human consciousness perceives, feels and exists in a way that cannot be replicated. This paradox is what my sculpture attempts to hold: the tension between the shared system and the singular experience.

I approach geometry as the language of that system. Rather than treating it as a purely rational framework, I use it as a structure capable of carrying psychological weight, memory, tension, internal states that resist easy articulation. A geometric form is universal and precise. But the presence it produces in a specific material, at a specific scale, under a specific light, is never the same twice.

Working primarily in bronze and concrete, I develop sculptural bodies where structural precision and emotional fragmentation coexist. These are not opposites. They are the same condition observed from different distances.

My ongoing series Geometría Antropomórfica intersects primitive geometric systems with fragments of the human figure to produce forms that oscillate between architectural logic and psychological presence. Works like Apollo & Dionisio explore the Nietzschean duality between rational order and instinctual force as two simultaneous modes of being human.